Interfacing with computers in a technical capacity has seemingly permanently burrowed its way into my practice. Computers have mostly formed part of a tool set for shaping sound, and they’re also very handy as materials (eg, in Toccata and in the box pieces like Pathside Box and Haptic Box). In a few cases I’ve directly referenced computers in works, though these generally hinge on related social aspects and I try to be suspicious of unproblematically glorifying computers, coding, and technology.

Useful code I’m somehow responsible for

Code for pieces